The sound of Akashic Crow’s Nest begins with the use of an image synthesizer which turns very long photographic images into audio output, in the manner of a piano roll. The initial part of composing this music is thus designing the picture. For this latest project, the first audio output […]
Bloom, Trope and Air are three applications developed by Brian Eno and the musician / software designer Peter Chilvers that brings to the iPhone the concept of generative music popularized by Eno. Part instrument, part composition and part artwork, Bloom’s innovative controls allow anyone to create elaborate patterns and unique […]
In the August and September 1977, two Voyager spacecraft were launched to fly by and explore the great gaseous planets of Jupiter and Saturn. Voyager I, after successful encounters with the two, was sent out of the plane of the ecliptic to investigate interstellar space. Voyager II’s charter later came […]
“Long Now (aka Pelissero Wine)” is a rare, limited edition promotional CD by Brian Eno, produced in 2002 to celebrate an Italian wine and offered to wine sellers. The wine is the Pelissero’s Long Now, so named in honour of the Long Now Foundation. It features five unreleased tracks, in […]
Description by Off Land (aka Tim Dwyer, the author): Let’s go back to 2006. I used to hate my job, the dead-end brainless work. Even more, I used to hate my commute. An hour by subway what would take 20 minutes by car if I had owned one. Everyday I […]
Sylvie Walder and entia non (James McDougall) are well-known names in the netlabel-world and beyond. Sylvie Walder released collaboration-albums with Phillip Wilkerson, Siegmar Fricke, and “_” (as Kakitsubata). entia non has released solo-works on test tube, IOD, u-cover, Resting Bell and contributions on compilations for duckbay and Slow Flow Recs. […]
Matúš Mikula, aka 900piesek, è slovacco, uno dei giovani musicisti elettroacustici europei che creano una sorta di science fiction ambient con un po’ di nostalgia degli anni ’70. L’album, dal titolo Dea Varanus, è pubblicato da Test Tube ed è scaricabile qui. All four tracks emanate sound through a dense […]
Ok, un po’ di tranquillità dopo lo sforzo organizzativo del Premio Nazionale delle Arti. Eno ha concepito questa musica nel 1998 per una installazione realizzata in collaborazione con Jiri Prihoda a Praga. Il CD risultante è stato poi venduto a un’asta di beneficenza per £ 400 nel Gennaio 2001. Si […]
Ben Stepner costruisce atmosfere meditative tramite chitarra e computer. Semplice ambient music, sotto molti aspetti banale, ma vengo sempre colpito dal potere della consonanza. Qui non si parla di tonalità e nemmeno di modalità, ma solo di sovrapposizioni di armonici che a volte (non a tutti) inducono uno stato di […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
Brian Eno’s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or […]
