Musica Arte Tecnologia Storie Estreme

14

Oct

Nocturnal

Scritto da:Mauro @ 2007.10.14.23.59.53 — Archiviato in: Strumentale

Nocturnal è uno degli ultimi brani di Edgar Varèse (1883-1965), lasciato incompiuto e terminato dal suo allievo e assistente Chou Wen-chung nel 1968 facendo, a mio avviso, un ottimo lavoro (non si avverte la mano di qualcun altro).
Ecco un estratto delle note di programma. Trovate altro materiale in Art of the States

Nocturnal is a world of sounds remembered and imagined, conjuring up sights and moods now personal, now Dantesque, now enigmatic. Perhaps one should not read too much into a composer’s choice of words, but how, knowing Varèse’s unique career, could one resist wondering about the line, ‘I rise, I always rise after crucifixion’? What about the mocking, threatening, babbling emanations from the chorus, often directed to sound ‘as if from underground’ and ‘harsh’? Then there are the sounds remembered — the liquid beat on the wood block, the shrill whistling of the winds, the tenacious shimmering of the strings — the insistent sound of a mass of shuffling feet, the flourishes of drum beats, the sudden crashing outbursts. A phantasmagorical world? Yes, but as real as Varèse’s own life.

In completing the score … two principles were followed: (1) continuation of some of Varèse’s principal material of the original portion, following suggestions in his cryptic notes; (2) addition of new material from the few more elaborate sketches found, so as to illustrate more fully his ideas for this work and his concepts in the use of vocal sounds. All the details, whenever not specified in the sketches, are worked out according to the original portion or other sketches in which similar situations are found. The original portion ends with the words, ‘dark, dark, dark, asleep, asleep,’ sung by the soprano. This is clearly indicated in the published score. The added portion is purposely kept to the minimum length possible, just enough to include all suitable additional material and to provide structural coherence.

[Chou Wen-chung ]

Edgar Varèse - Nocturnal (1961/1968) - per voce e orchestra (RealAudio)
Ariel Bybee, mezzo-soprano
Bass Ensemble of the University-Civic Chorale
Utah Symphony
Maurice Abravanel, conductor

Tags:

Related posts

21

Mar

Ionisation

Scritto da:Mauro @ 2007.03.21.00.01.57 — Archiviato in: Strumentale

Ionisation by Edgar Varèse on YouTube.
Very good film. Sound a little low.

Ionisation di Edgar Varèse su YouTube.
Ottime riprese. Suono un po’ basso.

Tags:

Related posts

7

Feb

Cage & Varèse

Scritto da:Mauro @ 2007.02.07.02.55.21 — Archiviato in: Storia, Strumentale

Varese Cage Neuhaus
Fa un certo effetto vedere insieme due leggende della musica del ‘900: Edgar Varèse (sin.) e John Cage (centro) con il percussionista Max Neuhaus (des.) in una foto ormai sgranata pubblicata sul New York Times (September 1, 1963).

A good feeling while looking at two legends of 20th century music on the same shoot. Edgar Varèse (left) and John Cage (center) with percussionist Max Neuhaus (right) in an old image from the New York Times (September 1, 1963).

From Max Neuhaus site

Tags: ,

Related posts

23

Aug

Varèse on YouTube

Scritto da:Mauro @ 2006.08.23.00.07.41 — Archiviato in: Letteratura, Strumentale

From YouTube, a piece by Edgar Varèse: Offrandes (1921), for soprano and chamber orchestra. Dir. Boulez, soprano Anna Steiger.
Text by Vicente Huidobro and José Juan Tablada. Here is the original text by Huidobro (in french):

La Seine dort sous l’ombre de ses ponts.
Je vois tourner la terre
Et je sonne mon clairon
Vers toutes les mers.

Sur le chemin de ton parfum
Toutes les abeilles et les paroles s’en vont.
Reine de l’Aube des Pôles,
Rose des Vents que fane l’Automne!
Dans ma tête un oiseau chante toute l’année.

Tags:

Related posts

18

Jul

Poème Électronique

Scritto da:Mauro @ 2006.07.18.00.45.05 — Archiviato in: Elettroacustica, Multimedia

Some interesting images of Philips pavilion at the 1958 Brussels World’s Fair. It was designed by Le Corbusier with the collaboration of Xenakis for the Varèse’s Poème Électronique live performance.
You can find it in this page from CCRMA.

Tags:

Related posts