Un altro brano corale di Murray Schafer con una bella partitura grafica. Epitaph for Moonlight (1968), for youth choir with optional bells. Roanoke College Choir, Jeffrey Sandborg director. It is a free composition in which the singers must improvise from given indications of pitch, intensity and duration. To accompany the […]
Qualche giorno fa, il 10, se ne è andato Lol Coxhill. Io ero impegnato in un corso estivo in un luogo ameno fuori dal mondo e anche dalla rete, per cui ne scrivo solo adesso. Coxhill era un sassofonista che mi piaceva perché la sua musica non aveva confini. Sebbene […]
Una registrazione che ha quasi un anno (il titolo è la data, nello stile di molti improvvisatori europei) realizzata da v4w.enko (aka Evgeniy Vaschenko ucraino, quello linkato è il suo sito, ma meglio ascoltarlo su myspace) e d’incise (svizzero, aka Laurent Peter) e pubblicata dalla netlabel Resting Bell a Marzo […]
A very good lecture, Improvisation as a Way of Life: Reflections on Human Interaction by George Lewis To see on You Tube click here. Potrebbero interessarti anche: Non ancora…
Negli anni ’60, Stockhausen raccolse intorno a sè un piccolo gruppi di esecutori e tecnici con i quali lavorare e sperimentare. Con questo gruppo, che è quanto di più vicino a una ‘band’ si sia mai visto nella musica cosiddetta colta, aveva iniziato a sperimentare varie forme di improvvisazione più […]
Il solito d’incise (Laurent Peter) insieme al percussionista Cyril Bondi (con cui forma il duo Diatribes) e ad Abdul Moimême, membro attivo della scena portoghese della musica improvvisata, ha registrato questo Complaintes de marée basse: sette improvvisazioni caratterizzate da atmosfere sospese, per me piuttosto intriganti ed emozionali. Il tutto è […]
Una conferenza/concerto dedicata all’improvvisazione elettroacustica in cui illustreremo le nostre tecniche di creazione estemporanea, con particolare riferimento al software che le supporta, appositamente realizzato con Max/MSP. Conservatorio Bonporti – Sede di Riva del Garda Ore 15 Ingresso libero Potrebbero interessarti anche: Non ancora…
The SuRRism-Phonoethics net label is a Frankfurt, Germany based non-profit netlabel specializing in Experimental music. Some of their releases could be classified as Electronic art music/Electronic music, industrial or experimental music with sub-genres like Electro-Acoustic, Improvisation & Cut-Up. Their official launch occurred in 2008, with a release for Undress Béton. […]
Justin Robert and Jeremy Powell are both enthusiast musicians that play live jazz for a living. Justin is a percussionist and likes to fiddle with analog synths, and Jeremy plays saxophone. Both musicians love free jazz and improvisation, so one night they got together, Justin on synth and Jeremy on […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
The English netlabel INTERLACE devotes to concerts featuring free improvisation, live electronic music, interactive composition, and, of course, a mixture of it all. It is a continuous series of concerts aiming at 3 or 4 times per year. Excerpts from the Interlace archives: three improvisations from the concert dated 18 […]
