Autotune 4’33”

There’s also this version by Matthew Reid that’s quite interesting. Reid performed the piece by filtering the microphone with an equalizer set to reinforce the resonant frequencies of the room. As a result, feedback was produced.

The recording was then passed through Autotune which tuned all the feedback, both the drone of the second movement and the various sounds of the third. In a way, it’s an electro-acoustic version of the piece.

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