Decomposing

Look at what Picasso does with the image of a bull (from left to right and then from top to bottom).
When I see it, I always think of the atonal Webern. The one who, from 1909 to 1914, reached the heights of concision by reducing his writing to the bare minimum, right up to the last of the Three Little Pieces for Cello and Piano in which he verges on silence, but it is a silence that is not empty.

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