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Music Art Technology & other stories
Posted on 20110307 by MG
Composer Aldo Clementi, the last representative of the historical Italian school along with figures such as Maderna, Berio, Nono, and Donatoni, died on March 3 at the age of 86.
Overcoming serialism and structuralism, Clementi developed a compositional methodology based on short fragments, often diatonic, sometimes historical, whose melodic significance, however, is cancelled out by a massive stratification in canonical form, with transpositions and metronomic variations, until they form a continuous flow of sound.
Here you can listen to the Fantasia su roBErto FABbriCiAni (1980/81), for flute and magnetic tape, based on a reduced material, a series composed of notes taken from the performer's name: Bb, E, F, A, Bb, C, A.
In this piece, one of two Clementi works on which I had the pleasure of collaborating by creating the electronic part, the flute, played live, emerges, discreetly, from a sonic magma created by the superposition of four fragments recorded by the flute and superimposed several times, via computer, with even microtonal transpositions.